Uncle Shu said jade "The work is too traditional, lacking new ideas!"
This is the voice of the outside world and the industry in recent years. It is also a phenomenon that has emerged from auctions and jade carvings in recent years: many works have the feeling of deja vu.
Many jade carving people also mentioned that today's collectors are very picky, and they often mention innovation, but in the entire jade market, the popularity is low and the transactions are light. For jade carving innovation, I feel a little anxious about the market...
Before we talk about this topic, we understand what innovation is? To put it simply, what has not been created before is called innovation. Then, the engravings that have been borrowed from the previous foundations and other art and art can be more appropriate to understand and use.
It is undeniable that the development of jade carvings is more than any time in the past. Regardless of scale, materials, subject matter, and innovation, we refer to the works of modern and contemporary aesthetics and the subject matter of engraving.
For contemporary themes, many jade carving people said that there seems to be no market for innovative works. Everyone still likes the theme of Buddha and antiques. Many industrial people give the reason that these works have no foundation and no connotation. These topics will not become mainstream, so where is the problem?
Monologue to Hongyan, Junbei another winter?
On this topic, Uncle Wu will use this to talk about several problems in the so-called "innovation" works:
1. There must be a basis for creation, and there is cultural support.
As the saying goes, "The carving must be intentional, and the meaning is auspicious." This is a hat that traditional culture brings to jade carving. Most of the jade carving works are largely controlled by traditional culture. The subject matter and content are relatively solid, but it is not necessarily that I am carving. A yin and yang gossip is on the top, which means that this is the thought of Zhou Yi. The true understanding of its connotation is to concretize and express the problems it explains.
To put it simply, for example, if you put Zhou Yin's yin and yang (in philosophy, we call the transformation of contradictions) into the works through jade carving art, this truly understands its essence.
Therefore, the angle needs to be changed, and even traditional themes can be changed in terms of expression and production process. If you only continue to copy the original style of the work, its works can only gradually become mass-produced crafts, and its artistic added value will be greatly reduced. Innovation must be based on the basis of culture and support, so that it can go longer and stand the test of time.
2, in line with the public's aesthetic, can not be tacky
Take the nude girl as an example. The “naked woman†is a form of contemporary. This kind of work belongs to the art of niche and it will not be the mainstream. In the words of many buyers, "Even if you are optimistic about the naked women's pendant, you can't wear it. Look back and see it to your friends. How awkward."
Of course, I have not denied the subject of "naked women" here, but in the ideology of the Chinese people, it has not yet reached the level that the public can recognize and accept.
Some people follow the trend of innovation, even in the absence of social customs to create some works that are contrary to social culture, bringing the industry or market into vulgarization. Jade carving innovation is worth promoting, but it cannot be innovative for innovation.
3, creation can not be a temporary entertainment
For example, the mascot of a large-scale sports meeting has become the subject of many people's sculptures. These works are seasonal. In the near future, for example, many mooncakes created by jade carvings in the Mid-Autumn Festival are very hot in the Mid-Autumn Festival. When the time passed, it became the bottom of the pressure box, and it could not stand the test of time.
Jade carving is too entertaining, and the artistry will be weakened. If you accidentally become a craft, it also requires the jade carving person to grasp a balance point when creating.
In the future, we also hope to see more new faces, more new works, not only technological innovation, but also subject matter innovation. Of course, this must be based on the premise of conformity with the times, artistic connotation and public aesthetics. .
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