“Art comes from life, and art should be functional.†Most jade carving practitioners believe that design is not about designing a product, but about designing a way of life.
So why is such a work so popular? The answer is obvious: in the past and now, most of the jade carving works are bundled with traditional culture, and the presentation forms are mostly large-scale ornaments. The price of tens of thousands of yuan makes the ordinary people discouraged.
"There are too many traditional works of homogenization in the market. These works are relatively inferior in practicality. Buying them back can only be placed at the bottom of the box. It is impossible to reflect the value of jade carvings more, and the changes in people's aesthetics. Collection risk." A senior jade carving art player said.
If the jade carving art is both collectible and practical, and the price is in the range that ordinary people can afford, would you like to have one or two pieces?
In fact, from the tea buds on the tea table to the delicate jewellery after the inlay, from the large jade carving ornaments to the different forms of playing pieces, playing pieces, pendants, and jade carvings, the different forms of life in jade carvings appear in our lives. The more obvious it is. Turning over the history of Chinese jade, it is not difficult to find that the jade artifacts of life have existed in ancient times, but the expressions and jade carriers at that time were not as rich as they are today.
Take the two periods of jade as a prosperous example, we are not difficult to find traces. The Tang Dynasty and the Ming and Qing Dynasties were the strong living and secularized atmosphere of the jade articles of the Tang Dynasty. They were not only reflected in the emergence of many new jade wares with practical purpose and decoration as the mainstream, but also in terms of ornamentation, despite the traditional dragons and phoenixes. The animal image has continued, and the emerging Buddhist themes such as flying and capricorn have become popular, but they are in the mainstream. Whether it is the Hu people with deep-eyed high-nose curls in the music pattern, or the flower pattern, flower and bird pattern, lion and animal pattern, etc., they are all choices. People are familiar with the scenes in real life.
In the Ming and Qing Dynasties, the jade connotation has long since deviated from the influence of the ancient Wushen ideology, and also deviated from the use function of the last three generations (Xia Shang Zhou) Wang Quan Zhi Shang jade, forming a hierarchical group with the public as the central user, inheritance The theme design of the jade articles of the Song Dynasty mostly contained the functional characteristics of the artistic and cultural expression techniques and folk customization at that time.
In this cultural context, from the emperor to the craftsmen, the production of jade has been carried out many times to inherit the tradition and innovation revolution. The design of the "Zigang" jade brand of the Ming Dynasty Lu Zigang was designed not only to influence the jade design of the later generations of the past 500 years until today.
Looking at the jade carving market in recent years, the trend of jade carving living is becoming more and more obvious. The rise of many jade species has provided a vast space for living jade carvings. More and more of my jade categories are enriching the jade carving market. Take the famous jade carvings in Pingzhou jade carving industry as an example. The collections of the collections are also constantly updated. The original jade and Hetian jade are the main ones. The works exhibited today include Nanhong, Agate, Jinsiyu, Amber, Huanglongyu, etc. Jade carving works.
In the jade carving market, you will find that the market's acceptance of the new types of jade is not like the past, but now it is very fast. The use of new jade has added a brand of choice to collectors and investors, and meets the different needs of various jade people with different grades, different styles and colorful jade materials. The rich jade species also provide more creative space for living jade carving creation, especially for some emerging jade species. The price of materials is more intimate and richer in color. It is not only welcomed by jade carving artists, but also favored by many Tibetan friends.
Life is inseparable from art, art source life. By connecting with everyday life, jade carving art can not only enrich people's experience and feelings about jade carving art, but also stimulate jade carving artists to express their lives and beautify their lives in an artistic way.
New consumer demand leads the new market, and sometimes even the source of production needs to be adjusted accordingly. For a long time in the future, the art of jade carving will no longer be limited to traditional materials, themes and product types. More living jade carving works will continue to appear, further enriching the jade carving market and setting off a trend of collection boom.
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